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We are gradually publishing more guides on sound reinforcement, event technology, sound engineering, lighting, streaming, and AV systems. Check back soon — the database will be regularly updated with new materials!
Sound engineering, FOH, monitors, and rider
Sound engineering at concerts involves preparing and managing the entire audio chain – from sources on stage, through the console and processing, to the PA system and monitors for musicians. The work of a FOH engineer and monitor engineer requires not only mixing skills but also knowledge of routing, gain structure, microphone techniques, wireless systems, communication with the band, and technical documentation of the concert.
In this category, we discuss practical issues related to FOH mixing, stage monitoring, wedge monitors, and IEM systems, soundcheck, line check, preparing show files, and organizing work during the concert. We also explain how to read and prepare the technical rider, stage plot, input list, and patch list, how engineers collaborate with the band and stage crew, and how to diagnose common issues with signal, routing, feedback, and monitoring.
The materials are intended for engineers, technicians, musicians, and organizers who want to better understand the professional concert workflow – from stage and console preparation to live performance execution.